Posts

The image on the left shows the five Pandava children and the Ashwini Devas while the image on the right shows Dronacharya and Kripi with Ashwathama (Image Credit: The Mahabharata Part I Comic Book from Archive.org)

Table of Contents (The Complete Condensed Mahabharata in Simple English)

Previous Post: Krishna-Dwaipayana Vyasa’s Birth


Note: This post is a short and quick account of how the main characters of the Mahabharata were born. I have mentioned the circumstances of everyone’s birth but summarised the character description provided in the unabridged Mahabharata. You can read the full character descriptions here.

Bhishma was born to Devi Ganga and the King Shantanu.

Karna was born from the union of Kunti and Surya Deva. He was born with natural armour and bright earrings.

Sri Vishnu, the all-pervading soul, himself was born to Devaki and Vasudeva in the race of Andhaka-Vrishnis for the benefit of all the creatures in the three worlds.

Satyaki and Kritivarma were born in the Vrishni race. Satyaki’s father was Satyaka while Kritivarma’s father was Hridika. Both of them were strong, well-versed in all branches of knowledge and always obeyed Sri Krishna.

Drona was born from the seed of the great rishi Bharadwaja. The seed was kept in a pot and that’s how Drona (the pot born) got his name.

The twins, Kripi and Kripa were born from sage Gautam’s seed which had fallen on a clump of reeds.

Ashwatthama was born to Kripi and Drona.

Dhrishtadyumna was born from the sacrificial fire in a yagna organised by King Drupada. He was born with a bow in his hand and he was destined to destroy Drona. 

The excellent and beautiful Draupadi (also known as Krishnaa) was born from the same sacrificial fire. 

From King Drupada and his wife was born a daughter called Sikhandin who later transformed into a male with the help of a Yaksha named Sthuna.

Sakuni was born to Suvala. Cursed by the gods, he worked against virtue and was the cause of death for many people. 

Gandhari was also born to Suvala. Both Gandhari and Sakuni were knowledgeable in the art of acquiring worldly profit.

Dhritarashtra was born to Ambika (Vichitravirya’s wife) and Rishi Krishna-Dwaipayana Vyasa. 

Pandu was born to Ambalika (also Vichitravirya’s wife) and Rishi Krishna-Dwaipayana Vyasa. 

Vidura was born from the union of Ambika’s maid (called Parishrami) and Rishi Krishna-Dwaipayana Vyasa. He was an incarnation of Dharma but he was born to a maid due to the curse of a brahmin who was falsely accused of theft because of the way Dharma’s law worked on earth. 

The Pandavas were born to Pandu and his two wives (Kunti and Madri). Yudhishthira was born to Kunti and Dharma (the god of justice). Bhima was born from Kunti and the God of wind (Marut). Arjun was born from the union of Kunti and Indra Deva. The twins, Nakula and Sahadeva) were born to Madri and the Ashwins.

Dhritharashtra and Gandhari gave birth to a hundred sons, with Duryodhana as the eldest. Another son called Yuyutsu was born from Dhritharashtra and a Vaishya woman. out of the 101 sons, 11 were maharathas.

Amoung the Pandavas’ children, Abhimanyu was born from Subhadra (Sri Krishna’s sister) and Arjuna. Draupadi and Yudhishthira had a son called Pritivindhya. Draupadi and Bhima had a son called Sutasoma. Draupadi and Arjuna had a son called Srutakirti. Draupadi and Nakula had a son called Satanika. Draupadi and Sahadeva had a son called Srutasena. Bhima had one more son with Hidimba called Ghatotkacha.

Note: Arjuna also had children from Ulupi (a Naga princess) and Chitrangada (the princess of Manipura). However, these progeny are not mentioned at this point, in the Mahabharata. I have mentioned it here for completeness.


Next Post: Why Did The Celestials Take Birth On Earth As The Pandavas And other Beings


Draupadi in the swayamvara hall

King Drupada had erected a massive amphitheater for Draupadi’s swayamvara. It was a grand event where kings and princes arrived from across the country in the hope of winning her hand in marriage.

When Draupadi entered the amphitheater on the 16th day, her brother, Drishtadyumna, took her hand and addressed the assembled kings and princes in a voice as deep as thunder. He explained the challenge devised by his father, King Drupada, to win his sister’s hand in marriage. He went on to tell them that anyone possessed with lineage, beauty, and strength, who is able to shoot the target through the orifice with the five decorated arrows may wed Draupadi.

Here are the exact words according to the Unabridged Mahabharata.

Then he introduced all the kings and princes who were present there, to Draupadi. One by one, he told her their names, lineages, and achievements. After he had introduced everyone to his sister, he invited the participants to approach the bow and target and apply their skills and strength.

The common understanding about Draupadi’s swayamvara is that any person who fulfilled the challenge would marry Draupadi. Many people even think of this challenge disparagingly, because it makes Draupadi appear as some kind of an object that would be awarded to the person who fulfilled the challenge. However, this is not the truth. The contest was designed to ensure that only Arjuna could complete the challenge, and, in the case, someone else got close to winning the challenge, enough stipulations were put in place (along with Draupadi’s own power to deny participation to anyone she did not wish to marry) to ensure they would not be able to marry her.

We see clearly, in the Unabridged Mahabharata, that Drishtadyumna also mentions lineage, beauty, and strength as being necessary for a person to wed Draupadi. It’s a different matter we never encounter the situation where someone who did not possess these qualities shot the target. In fact, none of the participants were even able to string the bow. Not even the mighty Jarasandha. Karna may have succeeded, but Draupadi stopped him. Arjuna, even though dressed in a brahmanas simple garb, was not stopped by anyone. Most likely, because he looked very noble; like a celestial being. We know that from these words a few brahmana friends of the Pandavas used to describe them. (Note: In the passage below, Draupadi is referred to as Krishna)

The simple truth is that Draupadi was not an object that would be given away to the person who won the contest. Far from it. She was the goddess incarnate and the contest was designed to ensure that only Arjuna could win it.

After Draupadi’s swayamvar, she (cheerfully) went with Arjuna and Bhima to the potter’s house where the Pandavas were staying in disguise.

The next day, King Drupada (Draupadi’s father), sent his priest to the potter’s house to invite them for a feast at his palace.

Till this point, the king did not know their identity. He had a strong feeling, based on his son, Dhrishtadyumna’s, secret observations, that the youth who had fulfilled the difficult challenge, was none other than Arjuna, but he still wasn’t certain. After Kunti, Draupadi, and the Pandavas arrived at his palace, Drupada asked Yudhishthira about their identity. Yudhishthira, knew that King Drupada cherished the desire to marry his daughter Draupadi to Arjuna. He finally revealed their true identity to King Drupada in his palace.

King Drupada was not only relieved that his daughter was about to be married into a noble and virtuous family, but he was also overjoyed and exuberant that his desire for obtaining Arjuna as his son-in-law was fulfilled. He suggested that Arjuna and Draupadi perform the marriage rites immediately since it was an auspicious day. Till this point, King Drupada was unaware of what had transpired at the potter’s house between Kunti, Draupadi, and the five Pandavas, and about the proposal that she marry all five brothers.

It was only when he suggested the marriage rites, that Yudhishthira said, he too would have to marry Draupadi. This took the king by surprise. He (possibly) did not register the implication of what Yudhishthira had just said, so he suggested that instead of Arjuna marrying Draupadi, Yudhishthira, being the eldest brother, may marry her. However, Yudhishthira clarified that all five brothers would have to marry Draupadi.

This proposal made King Drupada very uneasy. He was put into a dilemma, because he was unsure of the morality of one woman marrying five men and, he did not want his daughter to enter into a morally questionable alliance.

It was during this critical and delicate situation that Ved Vyasa came to the palace. Everyone immediately stopped the discussion to welcome and worship the great rishi. After honouring the sage, the king approached him with his doubts regarding the proposed marriage.

Quoting from the unabridged Mahabaharata, below.

Ved Vyasa replied that the practice of one woman having many husbands had become obsolete because it was opposed to the Vedas and present-day customs, but, that didn’t mean it was sinful. However, before giving further explanations, he asked everyone assembled there to share their opinion.

What follows are the opinions of King Drupada, his son, Drishtadyumna, Yudhishthira, and Kunti. Finally, after hearing them, Ved Vyasa presents his own views about the marriage.

King Drupada’s Opinion

Drupada went by social precedence as well as the Vedas. He wasn’t aware of any precedence where one woman had taken many husbands, and because this practice was opposed to the Vedas, he was not in favour of the proposal. Quoting the exact passage below.

Drishtadyumna’s Opinion

Drishtadyumna believed that an elder brother of good conscience would never approach his younger brother’s wife. He agreed that the ways of morality were subtle and he also confessed that the subtlety was beyond his understanding, and therefore, he could not agree to this proposal with a clear conscience. Quoting the exact passage below.

Yudhishthira’s Opinion

Yudhishthira took a different approach to the dilemma. He was aware of two precedences where a (virtuous) woman had many husbands. But along with precedence, he also gave importance to his inner feeling. He believed that his purity and truthfulness made his disposition such that he would not incline toward a sinful act. If an act was sinful, his heart would instinctively reject it, and because his heart approved of this marriage, it was not immoral.

He went on to cite the two precedences. The first example was from the Puranas, where a virtuous maiden called Jatila (of the Gotama race) had married seven rishis. In the second example, he cited the case of an ascetic’s daughter who had married ten brothers who were also exalted ascetics themselves.

Finally, he went on to say that because his mother (whom he considered the foremost among superiors) had said so, the marriage couldn’t be immoral.

Quoting the exact passage below.

Kunti’s Opinion

Kunti regarded her eldest son Yudhishthira (who was born of her union with Dharmaraja himself) as an authority on dharma. Therefore, since he approved of the marriage, she did not believe it to be incorrect. However, she did put forth her concern about her speech becoming untrue and having to face the consequences of that.

Ved Vyasa’s Answer to Everyone

Ved Vyasa first addressed Kunti to ease her conscience. He remarked that even the (genuine) concern she had of saving herself from the consequences of untruth showed how pure she was, and this itself was eternal virtue.

He went on to agree with Yudhishthira’s reasoning, however, he did not want King Drupada to simply take his word on the matter and agree to the marriage. He wanted to reveal to King Drupada, the subtle and celestial forces that acted behind the material world. Therefore, he took King Drupada to a room, where they would be alone, and revealed the celestial form of Draupadi and the Pandavas. Click here to read the story that describes how Drupadi was the Goddess Adi Para Shakti herself and the five Pandavas were five Indras.

I am quoting Ved Vyasa’s words below.

After saying this, Ved Vyasa took the King to a separate room and explained to him that Draupadi was actually the Goddess Adi Para Shakti herself, and the five Pandavas were five Indra. He went on to describe how their marriage was ordained by Lord Shiva himself. Not only did Ved Vyasa explain all this, but he also granted the king, divine sight, through which he could see his daughter and the five Pandavas in their celestial form.

King Drupada’s dilemma was resolved after seeing Drupadi and the five Pandavas in their celestial form and understanding that Lord Shiva himself had ordained this marriage. If Lord Shiva had ordained it then it was beyond simple moral law and he had no objection.

You can read the detailed story of the celestial form of Draupadi and the five Pandavas by clicking here.

Some Additional Thoughts

I like this particular interaction between Ved Vyasa and the others because in dealing with the issue of Draupadi’s marriage, it also points to the larger issue of social norms, the Vedas, and morality. Vyasa muni shows us how Divine forces act behind the scenes to influence human life, and because we are not aware of these forces, we cannot judge morality based solely on logic, precedence, and even the Vedas. However, that doesn’t mean we can totally disregard morality. I’ll leave you with three quotes by the Auroville Mother (Sri Aurobindo’s spiritual partner) on this topic.

The (Auroville) Mother

You can break the moral rules only when you observe the Divine Law.

The Mother, May 1966

You have no right to dispense with morality unless you submit yourself to a law that is higher and much more rigorous than any moral law.

The Mother, 28th May 1947

Moral laws have only a very relative value from the point of view of Truth. Besides, they vary considerably according to country, climate and period. Discussions are generally sterile and without productive value. If each one makes a personal effort of perfect sincerity, uprightness and good-will, the best conditions for the work will be realised.

The Mother, August 1966